
Jamey Aebersold
born 1939, New Albany, Indiana
The Roving Third
composed 1967
R-MC Jazz Improv Lab
founded 2019, Ashland, Virginia
Macon Modal Music
composed 2019


Herbie Hancock
born 1940, Chicago, Illinois
Watermelon Man
composed 1962
~ Brief Pause (Transition) ~
The Randolph-Macon Ensemble
Koji Kondo
born 1961, Nagoya, Japan
A Tribute to Nintendo
composed 1985, arr. 2016 (Neufeld)


Élisabeth Jacquet de la Guerre
born 1665, Paris, France
died 1729, Paris, France
Céphale et Procris - Ouverture
composed 1694, arr. 2019 (Coffill) R-MC Craigie Grant
Gordon Jacob
born 1895, London, England
died 1984, Saffron Walden, England
Old Wine in New Bottles
The Wraggle Taggle Gypsies
Begone, Dull Care
composed 1959


John Bennet
born c. 1575, Lancaster, England
died c. 1614, England
Weep, O Mine Eyes
published 1599, arr. 2019 (Coffill) R-MC Craigie Grant
Charles Ives
born 1874, Danbury, Connecticut
died 1954, New York, New York
The Unanswered Question
composed 1908


Kathryn Salfelder
born 1987, New Jersey
Reminiscence
composed 2018
~ 15 minute Intermission ~
Johannes Brahms
born 1833, Hamburg, Germany
died 1897, Vienna, Austria
Es ist ein Ros’ entsprungen
(A Lovely Rose Is Blooming)
composed 1896, arr. 1958 (Guenther)


Ludwig van Beethoven
born 1770, Bonn, Germany
died 1827, Vienna, Austria
Polonaise, WoO 21
composed 1810, , arr. 2019 (Coffill) R-MC Craigie Grant
Antonín Dvořák
born 1841, Nelahozeves, Czechia
died 1904, Prague, Czechia
Symphony No. 9, Op. 95,
“From The New World,” Largo composed 1893


Luca Marenzio
born 1553, Coccaglio, Italy
died 1599, Rome, Italy
Solo e pensoso
published 1599, arr. 2019 (Coffill) R-MC Craigie Grant
Janne Ikonen
born 1975, Lieska, Finland
Shipman’s Song
composed 2017
featuring Noah Saberhagen ‘20


George Frideric Handel
born 1685, Halle, Germany
died 1759, London, England
Water Music, Suite No. 2 in D
Overture
Minuet
Bourrée
Lentement
Alla Hornpipe
composed 1717, arr. 2019 (Coffill) R-MC Craigie Grant
...Who we are
The Randolph-Macon Jazz Improvisation Laboratory is an innovative chamber jazz ensemble created to teach the expressive art of jazz improvisation. The Jazz Improv Lab takes aspects of various jazz ensemble structures, namely big bands, jazz combos, and other professional or curricular ensembles, combining them with exploratory improvisation exercises to create a hybrid learning-performing environment. This structure creates an experiential learning opportunity for musicians to experiment with various improvisatory techniques.
The R-MC Jazz Improv Lab is open to any instrumental musician on campus regardless of previous jazz experience, opening it up to additional musicians that did not fit in the Chamber Orchestra. In fact, most musicians in this inaugural ensemble arrived with no jazz improvisation experience prior to enrolling in the class.
Tonight’s performance marks the first official debut of the Randolph-Macon Jazz Improvisation Laboratory.
The Randolph-Macon Ensemble is the first official curricular instrumental musical ensemble in the storied history of Randolph-Macon College. While technically classified a “chamber orchestra,” this flexible-instrumentation group will at times exhibit the characteristics of an orchestra and at others a band, but is actually neither… and both! This innovative ensemble is dedicated to creatively exploring historic and cutting-edge music of all genres, actively creating the future of music at Randolph-Macon College.
Musicians in the R-M Ensemble explore their creative musicianship through large- and small-group music-making. Each musician is part of one or more small, student-led chamber groups where collaboration, active leadership, and musicianship are not only encouraged but completely necessary for successful performance. With its unique instrumentation, the R-M Ensemble often requires customized works for performance, many of which have been provided through the creativity of student and faculty transcriptions and compositions. Many works on this concert program were created with the assistance of a 2019 Randolph-Macon Walter Williams Craigie Grant awarded to Dr. Coffill to support his customized, flexible-instrumentation transcription projects.
The R-M Ensemble began its musical life with a flash-mob performance of Terry Riley’s In C in October of 2018 and its first official concert in March of 2019. In one short year, the R-M Ensemble has already become an active part of the local and national musical conversation. The R-M Ensemble is funded in part by a major grant from the Andrew W. Mellon Foundation.
Dr. Brian Coffill is the Founding Director of Instrumental Ensembles and Assistant Professor of Music at Randolph-Macon College. He is a conductor and pedagogue committed to the expansion of the instrumental repertoire, the performance of works by under-represented composers, and the development of twenty-first century performance experiences for musicians and audiences alike. He maintains an active schedule as a conductor and clinician throughout the United States.
Prior to arriving at Randolph-Macon, Dr. Coffill earned degrees at the University of Maryland (Doctor of Musical Arts, Conducting), the University of Illinois (Master of Music, Conducting), and the University of Connecticut (Bachelor of Arts, Music; Bachelor of Science, Education). Before pursuing graduate studies, Dr. Coffill held positions teaching both bands and orchestras at public high schools in Virginia and Maryland.
Dr. Coffill’s diverse research interests range from interpreting the works of iconoclastic American composer Charles Ives to investigating the many connections between the Baseball and the American Wind Band. His scholarship includes academic and musical publications as well as presentations at regional and national conferences, most notably the 31st Cooperstown Symposium on Baseball and American Culture at the Baseball Hall of Fame in May of 2019. He is a member of various professional, service, and scholarly organizations, most notably including the College Band Directors National Association and the Society for American Baseball Research. He an inducted member of Kappa Kappa Psi and an honorary member of Tau Beta Sigma.
Dr. Coffill was recently honored as a national finalist for a major conducting award, the 2019 American Prize’s Ernst Bacon Award for the Performance of American Music, and has been invited to guest conduct two local honor bands this spring (the All-Henrico High School and All-Hanover Middle School Bands).
Dr. Coffill is a fervent Red Sox fan, despite having grown up on the New York side of Connecticut’s “Munson-Nixon Line.” He lives in Richmond with his wife and two children.
...create the future
The R-MC Music Program will feature many exciting musical offerings in the Spring 2020 semester.
MUSC Performing Ensembles
310 – Concert Choir
311 – Chamber Singers
313 – Pep Band
315 – Chamber Orchestra
316 – Jazz Improvisation Lab
30x – Voice/Instrument Lessons
MUSC Academic Classes
150 – Defining & Defending Music
221 – Music Theory I
222 – Music History I
240 – World Music
242 – The Music of Brazil
244 – K-Pop Revolution
321 – Music Theory III
Do you know a potential future R-MC musician?
Invite them to join us at Macon Music Day!